KING'S CHAPEL
  • Home
    • About Us >
      • Welcome
      • Calendar
      • Clergy & Staff
      • Contact Us & Directions >
        • Send A Message
      • Employment Opportunities >
        • Pianist/ Music Leader
        • Verger Position
  • Worship
    • Holy Week 2022
    • Sunday at 9 AM
    • Sunday at 11 AM
    • Lent 2022
    • Sermons
    • Special Annual Services
    • Book of Common Prayer
  • Music
    • Tuesday Recitals
    • Concert Series
    • Musical Inquiries
  • History & Tours
    • Plan Your Visit >
      • 2023 At A Glance
      • Guided Tour Offerings >
        • Group Tours
    • Explore Our History >
      • A Brief History
      • The Stone Chapel: Art & Architecture >
        • The Wooden Chapel
        • Georgian Architecture
        • Box Pews
        • Interior Colors
        • Memorials
        • The Chancel Windows
        • The Last Supper Painting
      • Crypt and Burying Ground >
        • Crypt >
          • Crypt Highlights: Crypt Entrance
          • Crypt Highlights: Tomb Structure
          • Crypt Highlights: The Stranger's Tomb
          • Crypt Highlights: Research and Family Connections
          • Crypt Highlights: Remaining Memorials
          • Crypt Highlights: Hand-Hewn Beams
        • Burying Ground
      • Religious History >
        • Online Exhibit: Independent Country, Independent Church
        • 334 Years of Ministry
      • Slavery at King's Chapel
    • Online Exhibits >
      • Revolutionary King's Chapel: Online Exhibit
      • Literary King's Chapel
      • Uncovering the Past: Exploring Black History Through Primary Sources
    • History Events & Programs >
      • Past Events & Programs
      • Recorded History Programs
    • Christmas History at King's Chapel >
      • Decking the Halls: The History of Decorating with Greens
      • Christmas Lights: Then and Now
      • 18th & 19th Century Christmas Services & Music
      • Christmas Feasts & Treats Throughout History
      • Holiday History Trivia
    • History Program Blog
    • About Us >
      • History Program Staff
      • Contact Us
    • Support the History Program
  • Community
    • News & Updates >
      • Parish Community News
    • Community from Home
    • Community Action Committee >
      • Anti-Racism Resources
    • Memorial to Enslaved Persons
    • Environmental Action Initiative
    • Join King's Chapel
    • For Members >
      • Budget Meeting 2023
      • Partner Church Sunday 2022
      • KC Bylaws
      • 2022- 2023 Church Leadership
  • Giving
    • Why Give
    • Ways to Give
    • Stewardship >
      • Pledge
  • Weddings & Baptisms
    • Weddings >
      • Dear Prospective Couple
      • Wedding Inquiry
      • Wedding Service
    • Baptisms
  • Space Rentals
Picture
Picture"Phillis Wheatley," 1773, National Portrait Gallery
Phillis Wheatley (1753-1784) was taken from her birthplace in Africa and enslaved in the American colonies as a child. By the time she was a teenager, Wheatley had studied an array of different subjects, including literature, Latin, and Greek, and had begun to write her own poetry. She continued to pursue this interest and hone her talent, eventually publishing a collection of her works entitled Poems on Various Subjects, Religious and Mortal. With this publication, Phillis Wheatley became the first African-American poet to publish a book. However, because of Wheatley’s position as a black woman in colonial Boston, many people refused to believe that she could write such poetry. Wheatley’s books included a preface in which a bunch of well-known men (like John Hancock) signed their names to give their testimony that she had indeed written the poems inside. A portrait of Wheatley was included inside the front cover, adding further proof of the author’s identity. ​

Wheatley’s connection to King’s Chapel can be traced through this portrait. It is attributed to a man named Scipio Sarahson, also known as Scipio Morehead, a black artist enslaved by Presbyterian minister John Morehead. Clearly, their shared interests in the arts allowed Wheatley and Morehead to forge a connection and honor one another through their works; Morehead painted the author and Wheatley wrote a poem about the painter: “To S.M., A Young African Painter, On Seeing His Works”.  Although neither Phillis Wheatley nor Scipio Morehead was a member of King’s Chapel, Scipio Morehead appears in the written records, having been baptised at the church on June 11, 1760. It is also possible that Wheatley would have attended services in the stone chapel during the American Revolution, when her congregation of Old South Meeting House was using King's Chapel's physical building.


Read Phillis Wheatley’s poem about Scipio Morehead ​and experience a bit of both artists’ talent: "To S. M., a Young African Painter, on Seeing His Works"

This poem appears on www.poets.org. Click on this text to view on the website.

To show the lab'ring bosom's deep intent,
And thought in living characters to paint,
When first thy pencil did those beauties give,
And breathing figures learnt from thee to live,
How did those prospects give my soul delight,
A new creation rushing on my sight?
Still, wond'rous youth! each noble path pursue;
On deathless glories fix thine ardent view:
Still may the painter's and the poet's fire,
To aid thy pencil and thy verse conspire!
And may the charms of each seraphic theme
Conduct thy footsteps to immortal fame!
High to the blissful wonders of the skies
Elate thy soul, and raise thy wishful eyes.
Thrice happy, when exalted to survey
That splendid city, crown'd with endless day,
Whose twice six gates on radiant hinges ring:
Celestial Salem blooms in endless spring.
   Calm and serene thy moments glide along,
And may the muse inspire each future song!
Still, with the sweets of contemplation bless'd,
May peace with balmy wings your soul invest!
But when these shades of time are chas'd away,
And darkness ends in everlasting day,
On what seraphic pinions shall we move,
And view the landscapes in the realms above?
There shall thy tongue in heav'nly murmurs flow,
And there my muse with heav'nly transport glow;
No more to tell of Damon's tender sighs,
Or rising radiance of Aurora's eyes;
For nobler themes demand a nobler strain,
And purer language on th' ethereal plain.
Cease, gentle Muse! the solemn gloom of night
Now seals the fair creation from my sight.
​
Return to Exhibit Homepage
Return to Literary Connections Page
King's Chapel
Est. 1686
​
In the love of truth, and the spirit of Jesus Christ, we unite for the worship of God
​and the service of all​.
Vertical Divider
​Follow Us On Social Media
Picture
Picture
Picture
Picture
Vertical Divider
​Join Our Email List
Subscribe
 www.kings-chapel.org |  58 Tremont St. Boston, MA 02108  |  617-227-2155 
Picture
  • Home
    • About Us >
      • Welcome
      • Calendar
      • Clergy & Staff
      • Contact Us & Directions >
        • Send A Message
      • Employment Opportunities >
        • Pianist/ Music Leader
        • Verger Position
  • Worship
    • Holy Week 2022
    • Sunday at 9 AM
    • Sunday at 11 AM
    • Lent 2022
    • Sermons
    • Special Annual Services
    • Book of Common Prayer
  • Music
    • Tuesday Recitals
    • Concert Series
    • Musical Inquiries
  • History & Tours
    • Plan Your Visit >
      • 2023 At A Glance
      • Guided Tour Offerings >
        • Group Tours
    • Explore Our History >
      • A Brief History
      • The Stone Chapel: Art & Architecture >
        • The Wooden Chapel
        • Georgian Architecture
        • Box Pews
        • Interior Colors
        • Memorials
        • The Chancel Windows
        • The Last Supper Painting
      • Crypt and Burying Ground >
        • Crypt >
          • Crypt Highlights: Crypt Entrance
          • Crypt Highlights: Tomb Structure
          • Crypt Highlights: The Stranger's Tomb
          • Crypt Highlights: Research and Family Connections
          • Crypt Highlights: Remaining Memorials
          • Crypt Highlights: Hand-Hewn Beams
        • Burying Ground
      • Religious History >
        • Online Exhibit: Independent Country, Independent Church
        • 334 Years of Ministry
      • Slavery at King's Chapel
    • Online Exhibits >
      • Revolutionary King's Chapel: Online Exhibit
      • Literary King's Chapel
      • Uncovering the Past: Exploring Black History Through Primary Sources
    • History Events & Programs >
      • Past Events & Programs
      • Recorded History Programs
    • Christmas History at King's Chapel >
      • Decking the Halls: The History of Decorating with Greens
      • Christmas Lights: Then and Now
      • 18th & 19th Century Christmas Services & Music
      • Christmas Feasts & Treats Throughout History
      • Holiday History Trivia
    • History Program Blog
    • About Us >
      • History Program Staff
      • Contact Us
    • Support the History Program
  • Community
    • News & Updates >
      • Parish Community News
    • Community from Home
    • Community Action Committee >
      • Anti-Racism Resources
    • Memorial to Enslaved Persons
    • Environmental Action Initiative
    • Join King's Chapel
    • For Members >
      • Budget Meeting 2023
      • Partner Church Sunday 2022
      • KC Bylaws
      • 2022- 2023 Church Leadership
  • Giving
    • Why Give
    • Ways to Give
    • Stewardship >
      • Pledge
  • Weddings & Baptisms
    • Weddings >
      • Dear Prospective Couple
      • Wedding Inquiry
      • Wedding Service
    • Baptisms
  • Space Rentals